What Happened in Our First 2012 Practitioner Skills Development Group?

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Once again, you can see in the above photos how blessed Spring is starting to show with new growth and blooms in Central Park.  Even saying the word forsythia is musical and joyful to my heart and soul. ( The photo of the tiny little bright green leaves in the distance I believe are of a forsythia bush). Once again Central Park welcomes bridal parties for photo shoots. This bride and groom were married on Monday March 5th.

On Sunday,  March 4, 2012  we finally had Group. Present were Joie, Harriet, Merrill, Gladys, Paula, Lillian and Minh.

We had a large part of our time devoted to doing sessions with each other.

I shared with the Group some information about a new grounding/orienting process that I learned in a conversation with my friend Karine Bourcart.  The Repatterning Association in Mexico featured Ray Castellino as the keynote presenter in their recent annual conference.

Karine told me that the workshop he presented was the amongst the most impressive work that she has ever experienced. She taught me his grounding process and I have not only been using it personally and with my clients, but I shared it in Group.

Karine said that they used it frequently throughout the workshop to increase their being present and centered as practitioners.

It is very simple. It goes like this

  • Be aware of and bring the energy of Father Sky down into your heart.
  • Be aware of and bring the energy of Mother Earth up from the deepest core of the Earth into your heart
  • Be aware of your spine and the back of your body
  • Be aware of your front side of your body
  • Be aware of the left side of your body
  • Be aware of the right side of your body
  • Be aware  inside your body
  • Be aware of the outside of your body

This simple yet very effective process can be done with eyes open or closed, in an instant when you notice yourself to be off-center or when you are feeling unfocused and/or disoriented.

I personally have been aware of a deeper sense of safety and connectedness as I use this tool.

Thank you Karine and Ray Castellino!

Joie Jacobsen just completed an intensive Brain Gym workshop. As many of you can recall, Brain Gym is  the work of Paul and Gail Dennison. Chloe Wordsworth studied  with the Dennisons  and she acknowledges the tremendous influence it had upon her in creating the Resonance Repatterning .

What Joie shared with us is a sequence of Brain Gym activities named PACE. PACE is an acronym for Positive Action Clear Energetic States/Attitudes and the workbook that Joie got in the course said that PACE establishes familiar boundaries through movement nuclei.

This is how PACE goes. ( in Brain Gym Class all of the movements were done while standing)

  • Drink Water
  • Do Brain Buttons and intuitively determine which hand starts on the navel and which hand is positioned under the collar bones- switch hands intuitively
  • Do Cross Crawls
  • Do Cook’s Hook-ups Part 1
  • Do Cook’s part 2 but instead of doing a Katsugen, you can also do “spider push -ups” ( keeping the finger tips joined, move the fingers in an undulating manner,   in and out), and also you can touch each set of finger tips one at a time.. pinkies, then 4th finger, third fingers, second, thumbs and back the other way.

Here is a u-tube video demo. At the very end it is difficult to see the spider-finger movements but he is doing them.

Joie shared other dimensions she learned in the workshop to add to our use of of the Brain Gym exercise, Visualizing an X on the body by adding the five senses- make the X a color,what is its flavor?texture? aroma? and what sound does it make?

Because Brain Gym work involves the traditional straight arm muscle testing Joie shared with us a great way that their practitioners handle our “arm of steel”  muscle indicator response.

If we have this kind of muscle response with a client or the client shows other kinds of unclear responses so that we think the client might be holding on or trying to control the response, after having the client say the statement, ask them to tell you when to make the contact with their arm by their saying”push”.

When a person says “push” they have to exhale and can not hold their breath which results in a cleaner, clearer indication.

Isn’t that great????

Thank you Joie and Paul and Gail Dennison!!!!

We set up the proposed  dates for 2012 Group and 2012 Skills Development classes. Please look above and see my brand new, hot off the press page (just above the Newsletter header picture of Central Park trees and surrounding buildings)  SAVE THE DATE  for the so far final version of how and when Group and Classes for 2012 are organized.


Finally, we did a Group Repatterning. It was the beautiful The Loving Heart Repatterning; Entrainment with the Universal Heart, written by Joie, Gladys and Carol. It was the first time that Joie and Gladys had experienced receiving a session with their powerful creation.

That’s all for now everyone!

Sending you all love, light, laughter, gratitude and blessings,

Meryl

Reminder: Group is Meeting This Sunday March 4, 2012- Yay!

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Hi Everyone,

I took the  pictures above while on my walk in Central Park on Tuesday. As you can see here is life and transformation  in the form of lovely flowers  just beginning to emerge.

I am delighted to remind everyone that the NY City Practitioner Skills Development Group is having it’s first 2012 , four hour session on Sunday, March 4th, 2012 from new time 12:30- 4:30 pm.

Please bring

  • your class cards to have your CEU’s recorded
  • your own bottle of water
  • your books and supplies
  • your calendar

It will be great to have Group again.

For anyone who wants to jump in now, please call me directly by Saturday afternoon.

Sending you all much love, light, laughter and gratitude,

More Discussion About the Sound Frequency Repatterning

Two weeks ago, on February 17th, 2012, I posted a discussion about the Sound Frequency Repatterning by Chloe Faith Wordsworth. This repatterning appears  in her Transforming Chakra Patterns  with Resonance Repatterning manual.

Here is a comment that group member Carol Cannon posted in response to the article. Thank you for posting  it Carol, for it reminded me that I need to add more information to the mix.

Thank you, Meryl,
For having the patience to articulate this problem and I would really like to hear from Chloe as to the mechanics of her instructions. It is clear enough by the contents of the repatterning about the significance of these notes and frequencies, but it is in following the instructions on this wheel that does not result in illuminating the sought after knowledge. Can we pose the question directly to Chloe for her comments?
Thank you so much,
Carol

On to the additional  information.  On page 105 , d. in the new book Chloe has added something new to the instructions for obtaining the “mid-point note”. After describing the process of converging two fingers so that you are left on one “piece of the pie” she states “(Sometimes it is the ‘line’ or frequency between two notes. In this case you will muscle check). I believe that this means you will muscle check whether to use the top or bottom note as the mid-point note.

But again, as stated in the February 17th posting, we are only looking to see whether or not there is any added significance or meaning to be gleaned from a correlation between a mid-point note and the disharmonious note which is the the frequency of  the problem. If there is a correlation then a specific perspective can be added to our understanding of the problem.

The information above also pertains to the combined parental note on the same page.

In the new version of this repatterning there is a reworking of old book, page 78  what was  F.(mcs) We need to identify the personal correlation for the note?  What is called the personal correlation here is viewing the disharmonious note of the problem and seeing the  intrinsic coherent /positive quality of that particular note.

In the new version, on  new book page 106   I. Identify the coherent response to the opportunity of the problem This is the note of the problem identified in {C},  the meaning of the former terminology “personal correlation” has been clarified.

This shift in our understanding leads us to a new section in the new book on page 107,  J.  (mcs)  We need to identify the coherent octave of the opportunity of the note (as identified in I)? What we are asked to do in this part is identical to what we used to do when we were finding the octave of the harmonious note anywhere in the RR system.

The terminology has been altered and what we are asked to do here is simply (mcs) for the specific cycles per second frequency number of the coherent octave of the ‘problem’ note that is now being viewed as a new frequency of opportunity,  and  then *[cr]  the client for that number of cycles per second, as is presented on the familiar octave frequency tables.

I hope that these discoveries are helpful to all of us who are using the new material. Please let me know and let’s continue the discussion!